Inspired to make an original, intimate family portrait, Gracie Otto directs a feature length documentary on her father, Barry Otto, whose career in Australian theatre, film and television has spanned more than 50 years. Baz as he is affectionately known is one of a kind - a truly creative, endearing and extremely eccentric personality who embraces the serious and the silly. This story is about Gracie's relationship with her father, in the twilight of his career and his life, as she tries to capture his memories, before his memory disappears. This is not a traditional biopic, but a deeply personal, artistic and cinematic reflection. Sometimes poignant in its exploration of deteriorating health, the film looks at the world through Baz's eyes, an ode to living a passionate life, that both honours him and preserves his memory.

Based on a story by Stephen King, "Otto" is the story of an affected man that from a fatal incident, product of his sense of justice, leads him to develop a feel of guilt that goes from fear to resignation through different forms of human behavior.

A little girl accidentally leaves her imaginary baby brother behind at a restaurant — and suddenly, for a nearby childless couple, the definition of "baby" takes on a new and completely unexpected dimension.

It's not so easy to go to sleep when the others can stay up late. Otto lies in bed thinking about what they're doing while he's in bed. It sounds like they're having fun...

A portrait of the Austrian avant-garde artist Otto Mühl/Muehl (1925-2013), whose work combined sex, violence, gastronomy and bodily effluence with unbridled abandon.

2004年夏天，观众们难以置信地看着希腊国家足球队——一个此前在重大赛事中从未赢过一场比赛的国家的球队，击败了世界足球强国，成为了最出人意料的欧洲冠军。这一前所未有的胜利背后的策划者是传奇德国足球教练“国王”奥托·雷哈格尔。在完成了……

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“Otto – The Series” is an unusual comedy format from the early 1990s centred on Otto Waalkes, blending classic crime entertainment with Otto’s distinctive brand of humour. Rather than telling a continuous story, the series combines newly shot sketches featuring Otto with scenes from old Edgar Wallace films. These original sequences were re-dubbed, completely transforming their content. Dialogue that was once serious turns into absurd wordplay, and the originally suspenseful plots are deliberately played for laughs. In this way, Otto effectively “smuggles” himself into the dark world of the Wallace films, turning it into a parody driven by nonsense, running gags, and his characteristic humour. The result is an idiosyncratic mix of crime and comedy, whose particular charm lies above all in its playful use of the original material.

Otto Brooks is 16 with a massive imagination and a big secret he’s ready to reveal – he’s gay. Otto has the usual family, parents who love and embarrass him, a Uni student sister who wants to change the world, a pop culture-loving Nana and a best friend, Max, who he’s secretly in love with. Add to that, a school bully out for blood, and Otto has a lot to go through before he becomes what he really wants, to be: out, happy, and in love. Time to delve into the world according to Otto.

Otto and Anna, a brother and sister in their twenties, separated by the divorce of their parents, live on two continents. The vagaries of life keep them apart.